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Theatre: Brief Version, 10th Edition, by Robert Cohen
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Robert Cohen's Theatre Brief, 10th Edition continues to provide an insiders guide to the world of theatre, where students are given a front-row seat. This lively introduction to theatre offers equal measures of appreciation of theatrical arts and descriptions of the collaborative theatrical crafts. Coverage of design, acting, and directing, as well as photo essays, provide a behind-the-scenes look at professional theatre artists performing their craft. The author illustrates live theatre through more than 250 photographs from five continents, most of them showing recent stage productions, bringing to life many exciting theatre companies and productions.
- Sales Rank: #277218 in Books
- Published on: 2013-01-11
- Original language: English
- Number of items: 1
- Dimensions: 9.90" h x .60" w x 7.80" l, 1.45 pounds
- Binding: Loose Leaf
- 384 pages
Most helpful customer reviews
23 of 24 people found the following review helpful.
Same book as Theatre 9th edition
By mando morales
I'm holding the 9th edition in my hand and the 10th edition so far its page for page letter for letter the same book only thing changed was the numbering of some chapters.
9 of 9 people found the following review helpful.
Like the book, Hate the Loose Leaf
By Bernie Salvaggio
I've been teaching from this book for a number of years and the binding on this new version makes me want to change texts. Textbooks are expensive, and companies are constantly changing editions to make more money. In the world of education that's just par for the course but the loose leaf nature of this book means that the bookstore won't buy it back from my students and students cannot buy used copies. That's amazingly frustrating. I do encourage my students to sell their copies to the next semester's students, but I really hate requiring my students to spend SO much on a book that most of them have no use for after a semester.
Content-wise, as with most new editions of old books, the bulk hasn't changed, but there are a number of changes worth mentioning. The modern theater chapter is missing the section on specific playwrights. The section on Theater Makers of Today is no longer in there and I missed it. There's more updated info on lighting, projection and special effects. This edition does contain more up to date pictures and some discussion on some of the more current theater spectacles, including WARHORSE, SPIDERMAN, PORGY AND BESS and the really fun version of THE CAT IN THE HAT that was done at the National Theater.
In general, I wish this book broke tech theater up into a few more chapters and that he assumed a little less base knowledge of what theater people would consider plays everyone should know, because most of my Intro students don't know them, HOWEVER I've looked high and low for an Intro book I like better and have yet to find one, so with all the faults, I'm continuing to use this one.
I do like how this book is less a theater history book and more a book about the different disciplines that go into making a production whole. He does a great job of covering the different aspects of theater and is fairly well rounded.
7 of 7 people found the following review helpful.
Start here.
By William Gekas
Whether you are a seasoned professional or a first-time beginner, Bob Cohen's book will give you a breath of air as you slog through the sometimes smoggy atmosphere of teaching drama. One of the problems a drama teacher faces is that while everybody can act to a certain point--after all, most of us live a life of drama just navagating the simplest everyday experiences. But not all are able to capture that natural ability to adjust to life for use in an artificial environment--ie on the stage or before the camera. Cohen breaks that process down to basics. There are no esoterics here, only common sense . . . and truth. Among the exercises there is advice. Good advice. This is a great place to start before you tackle the various "Methods" that some swear by but often get between the actor and acting. I have been at this for nearly 30 years and still go back to Cohen for that breath of air I mentioned. It makes me want to go back into the darkness of the rehearsal hall to see whether I can make the magic yet again.
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